HomeNews Archive
About the FMS News & Events Membership Merchandise Resources & Links Contact Give Facebook
 
>Print this article  
FMS OBITUARY...

May 8, 2018
Danish Film Composer Søren Hyldgaard Dead at 55
Highly respected musician achieved success in film, new age realms by Jon Burlingame

Søren Hyldgaard

COPENHAGEN, Denmark—Award-winning Danish film composer Søren Hyldgaard died Monday, May 7, of complications from diabetes. He was 55.

Hyldgaard's 30-plus film and television credits demonstrated a wide range of styles and colors, and an innate ability to deepen any film with his dramatic and often beautiful music.

"The heart of Danish music has lost a major voice," said the composer's longtime agent Jeff H. Kaufman. Hyldgaard's music was "firmly rooted in the tradition of the melodically rich, harmonically rewarding and spiritually infectious approach to film scoring," added producer Mikael Carlsson, whose 2012 CD collection of Hyldgaard's music remains definitive.

Admired for his engaging personality, Hyldgaard "was a brilliant, brilliant man and incomparable humorist," remarked The Film Music Society's producing director and Hyldgaard's personal friend, Marilee Bradford. "Søren had a cunning wit that sent everyone into gales of laughter. People were drawn to his optimistic nature. He was incredibly empathetic."

Søren Hyldgaard Album Cover
He was born Søren Hyldgaard Larsen on August 6, 1962, in Frederiksberg, Denmark, the son of an amateur filmmaker, and began playing piano as a child. At 7, he saw The Sound of Music and was immediately able to reproduce the Rodgers & Hammerstein songs on the piano. By the time he was 10, he was fascinated by the Universal horror films of the '30s, especially The Bride of Frankenstein, whose Franz Waxman score he would later restore for a new recording.

He studied film and media at the University of Copenhagen, moonlighting as a culture writer and film and music reviewer at newspaper and radio outlets in Denmark. He later composed a concertino for guitar and orchestra, and in the late 1980s became a best-selling New Age artist (his Flying Dreams CD sold more than 100,000 copies). He would later compose a trombone concerto and a number of concert suites.

Hyldgaard's first film score was for the short Adam Hart in Sahara (1990), but his real entree into show business came with his music for The Chaplin Puzzle (1992), which examined Charles Chaplin's early career and featured a restoration of Chaplin's 1916 film Police.

Søren Hyldgaard Album Cover
The composer's films included the 13th-century epic Eye of the Eagle (Ornens oje, 1997), whose grand and thrilling symphonic score announced the arrival of a great new talent on the Euro scene; the ominous music of Isle of Darkness (Morkets oy, 1997), with its Dies Irae quotations; Tommy and the Wildcat (Poika ja ilves, 1998), a warm score for a family adventure; and the vampire tale Angel of the Night (Nattens engel, 1998), complete with cimbalom and choir.

He won the Danish Film Academy's "Robert" Award for his moody score for Susanne Bier's The One and Only (Den eneste ene, 1999). Later work included the miniseries The Spider (Edderkoppen, 2000), about crime in post-war Copenhagen; and Help, I'm a Fish! (2000), an elaborate orchestral and choral score for an animated adventure.

Other credits include Little Big Girl (Ulvepigen Tinke, 2002), a gorgeous score for the tale of an orphan in search of her destiny; Jester Till (Till Eulenspiegel, 2003), with its Korngold-style fanfares and clever Richard Strauss quotations; Midsummer (2003), an eerie synthesizer score for a horror film; and Dogville Confessions (2003), about the making of Lars von Trier's controversial Dogville.

Still later came The Fakir (Fukiren fra Bilbao, 2004), a haunting score with choir, harpischord and flamenco guitar for a tale of magic; the romantic comedy Nynne's Diary (Nynne, 2005) featuring a delightful jazz backdrop;
Søren Hyldgaard
Red (2008), an American-produced thriller that featured the glass harmonica as a key instrument; See You (Ses, 2008), a delicate piece for a story about a suffering teenager; Storm (2008), with its lyrical theme for a beloved dog; the romantic drama Nuummioq (2009); and a memorable love theme for Something in the Air (Noget i luften, 2011). His last score was a dark and gritty one for the mystery thriller Stranger Within (2013).

In October 2004, he married American multi-language translator Michelle Hale, who survives him. A funeral will be held on May 19th at Grundtvig's Church in Bispebjerg, Copenhagen.

©2018 Jon Burlingame
Help preserve the legacy of film and television music by supporting The Film Music Society!
back to top
 
Search
 
Past Features
 

02.27.2017
Oscar Music Swept Up in La La Land

Ceremony featured Best Song performances by Timberlake, Sting, Legend

12.28.2016
Classic Film Music on Disc: The Best of 2016

Ellington, North, Goldsmith, Rorem, Schickele among top recordings

12.20.2016
Why the Arrival Score was Disqualified

Composers Johannsson, Richter explain what happened

12.16.2016
Thomas Newman, Diane Warren Honored as SCL Ambassadors

Composers Poledouris, Rose added to Hall of Fame

Feature Archives
 
>2018 Archive

>2017 Archive

>2016 Archive

>2015 Archive

>2014 Archive

>2013 Archive

>2012 Archive

>2011 Archive

>2010 Archive

>2009 Archive

>2008 Archive

>2007 Archive

>2006 Archive

>2005 Archive

>2004 Archive

>2003 Archive

>All Archives

Home Copyright © 2002-18 The Film Music Society, all rights reserved.
About the FMS News & Events Membership Merchandise Resources & Links Contact Facebook