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Last Updated: May 7, 2008
FMS FEATURE...

ASCAP Honors Alan and Marilyn Bergman
Famed lyricists feted by Streisand, other luminaries by Jon Burlingame

(From left) Larry Gelbart, Norman Lear, Quincy Jones, ASCAP Founders Award honoree Alan Bergman, Barbra Streisand, ASCAP Founders Award honoree Marilyn Bergman, Lari White and Norman Jewison (photo by Lester Cohen/Wireimage.com courtesy of ASCAP)

(From left) Larry Gelbart, Norman Lear, Quincy Jones, ASCAP Founders Award honoree Alan Bergman, Barbra Streisand, ASCAP Founders Award honoree Marilyn Bergman, Lari White and Norman Jewison (photo by Lester Cohen/Wireimage.com courtesy of ASCAP)

BEVERLY HILLS, Calif.—An all-star lineup, including a surprise appearance by Barbra Streisand, paid tribute to lyricists Alan and Marilyn Bergman before a crowd of 1,000 at the annual ASCAP Film & Television Music Awards Tuesday, May 6, at the Beverly Hilton Hotel.

The renowned songwriting duo, who have been married for 50 years and collaborated even longer, were honored with the ASCAP Founders' Award for their half-century of contributions to the Great American Songbook. Many of their songs have become standards, including "The Way We Were," "What Are You Doing the Rest of Your Life," "The Windmills of Your Mind," "How Do You Keep the Music Playing?," "You Don't Bring Me Flowers," "It Might Be You," "The Summer Knows" and many more.
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FMS FEATURE...

Composer Leonard Rosenman Remembered
Large crowd of friends and family gather on Warner Bros. scoring stage by Jon Burlingame

Photograph courtesy of Gay Goodwin Wallin. All Rights Reserved.

BURBANK, Calif.—A crowd of 250 attended a memorial service for Leonard Rosenman on Sunday, April 27, on the Warner Bros. scoring stage, where the composer recorded his classic scores for East of Eden and Rebel Without a Cause scores more than 50 years ago.

Rosenman scored such other films as Fantastic Voyage, Star Trek IV: The Voyage Home and Cross Creek, and won two Oscars and two Emmys for his film and television music. He died March 4 in Woodland Hills, Calif., at age 83.

Judie Gregg Rosenman, his wife of 19 years, introduced a 10-minute video montage of clips from Rosenman's films and TV shows; photographs of the composer, his family and friends; excerpts of interviews over the years; and his Oscar acceptance speeches. "Leonard was definitely the star of his own movie," she said, to knowing laughter from the crowd.
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FMS FEATURE...

Earle Hagen Honored by NATAS
TV Academy recognizes composer's 50 years in medium by Jon Burlingame

Hagen with Emmy

L-R: Bruce Babcock, BMI's Doreen Ringer Ross, Earle Hagen, Carlos Rodriguez, at Hagen's home after the NATAS event.

INDIAN WELLS, Calif.—Television composing legend Earle Hagen was inducted into the National Academy of Television Arts & Sciences' Gold Circle – for 50 years of service to the television industry – on Sunday, April 20, at a ceremony sponsored by the board of governors of NATAS' Pacific Southwest Chapter.

A crowd of 500 gave Hagen – the composer of such classic TV themes as The Andy Griffith Show, The Dick Van Dyke Show, I Spy, That Girl, The Mod Squad and Mickey Spillane's Mike Hammer – a standing ovation as Hagen, 88, accepted his award from longtime friends Robert Culp and Stacy Keach.
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FMS FEATURE...

Silvestri, Warren, Holman honored by ASMAC
Arrangers' Society celebrates 70th anniversary by Jon Burlingame

L to R: Bill Holman, Diane Warren, ASCAP executive Nancy Knutsen, Alan Silvestri.

L to R: Bill Holman, Diane Warren, ASCAP executive Nancy Knutsen, Alan Silvestri.

UNIVERSAL CITY, Calif.—Approximately 250 members of the Los Angeles music community attended Friday night's annual dinner of the American Society of Music Arrangers and Composers (ASMAC), honoring composer Alan Silvestri, songwriter Diane Warren and arranger Bill Holman.

Actor (and sometime jazz pianist) Stacy Keach was master of ceremonies for the event, which commemorated 70 years of the arrangers' organization and was held at the Sheraton Universal Hotel. Keach said he felt like "a kid in a candy store" being surrounded by arrangers and composers of some of the 20th century's most popular music. "You are all my heroes," he said.
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FMS FEATURE...

Music and the Moving Image
UIP, NYU and FMS combine efforts for premiere on-line scholarly journal

The University of Illinois Press, in conjunction with New York University Steinhardt School's Department of Music & Performing Arts Professions and The Film Music Society, has published Music and the Moving Image, a premiere online scholarly journal dedicated to the relationship between music and the wide spectrum of moving images, from film and television to computer and interactive performance.

Music and the Moving Image will be issued three times annually (spring, summer, fall). Volume 1 (Spring 2008) will receive its inaugural launch on February 29 at http://mmi.press.uiuc.edu/.

Leading an impressive editorial board of educators and music professionals, executive editors conductor/musicologist Gillian B. Anderson and Director of the Film Music program at NYU/Steinhardt Ronald H. Sadoff will consider submissions from both scholars and practitioners. All papers will be accepted for inclusion in the journal based upon a peer-review process. Although the journal will be published in English, international diversity is encouraged. Visit Call for Papers/Submission Guidelines for more information.

Annual individual subscriptions are available for $30 (a special Film Music Society membership rate is $21), and the institutional rate is $60. An order form is available HERE or through the journal web site.

Help preserve the legacy of film and television music by supporting The Film Music Society!
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FMS FEATURE...

The Timeless Melodies of David Raksin
Rare sheet music folio now available through The Film Music Society

The Timeless Melodies of David RaksinHad David Raksin written nothing but the immortal "Laura," it would have been measure enough of his incomparable talent for melody and harmony.

But the composer of scores for such Hollywood classics as Forever Amber, The Bad and the Beautiful and Separate Tables had also written a treasure trove of songs. He shared his favorites in a collection called The Timeless Melodies of David Raksin.

Originally published by Ekay Music in 1996, this extraordinary 112-page, 9" x 12" collection of sheet music has long been out of print and hard to find.

Several years ago, Raksin donated a few copies of this songbook to The Film Music Society for fundraising, and we are happy to offer them for purchase while the supply lasts.
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FMS ANNOUNCEMENT...

New Index for The Cue Sheet Journal
Quarterly publication is a well-established source of film music articles, news and historical information

A comprehensive new index for The Cue Sheet, the quarterly journal of The Film Music Society, is now available on-line at the FMS web site.

From its initial publication as a multi-page mimeograph in January 1984, The Cue Sheet has grown to be among the most highly respected sources for articles and essays on the subject of film and television music.

The journal's content ranges from biographical essays and in-memoriam tributes to articles on contemporary issues, opinion pieces and book reviews, featuring the works of such notable journalists and historians as Fred Steiner, James Lipton, John Caps, Tony Thomas, Rudy Behlmer, Clifford McCarty, Jon Burlingame, Steven Smith and Ross Care, among others.
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FROM FMS RESTORATIONS......

Rózsa's Jungle Book Available in Short Supply!
FMS re-releases 300 copies in celebration of the composer's centenary

Rózsa's Jungle Book
In celebration of Miklós Rózsa's centennial year, The Film Music Society is proud to re-release Rózsa's historic score for the 1942 classic motion picture, Rudyard Kipling's Jungle Book. Nearly two years ago, this popular CD was sold out of its Limited Edition release, and the FMS archived the manufacturer's overage. Due to popular demand by members and nonmembers alike, we decided to celebrate Rozsa's centenary by making our surplus copies available for purchase.

Rózsa's music shines on this CD in a way it never has before. Featuring lengthy and authoritative liner notes by Golden Age film expert Rudy Behlmer, this is an album you won't want to miss, skillfully restored and remastered from the last surviving transcription discs. As a bonus track, we've included an excerpt of a rare interview with Rózsa discussing his score with Behlmer in 1974. (Rózsa enthusiasts please note: The FMS will be releasing this interview in its full length later this year! Stay tuned!)
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FMS FEATURE...

The Rosenthal Package: Film Music and Music for Television
Limited Edition bundle available as fundraiser for FMS preservation efforts—ONLY 10 LEFT!

Rosenthal Package
For a limited time only, The Film Music Society is making available The Rosenthal Package, consisting of two sought-after soundtrack collections: Laurence Rosenthal: Film Music and Laurence Rosenthal: Music for Television. Both two-CD anthologies – mastered from original music production recordings – were produced as promotional items by Rosenthal (the latter co-produced with Douglass Fake) and offered to attendees of the FMS' 1999 Career Achievement Award dinner honoring the composer.

This assemblage of Rosenthal's film and TV music is an irreplaceable overview of one of Hollywood's most influential and respected composers. All selections are conducted by Rosenthal (except for cues from Becket, conducted by Muir Mathieson). Among the rarest offerings included on this four-CD bundle is Rosenthal's complete score for The Miracle Worker, the landmark 1962 film which earned Oscars for Patty Duke as Helen Keller and Anne Bancroft as Annie Sullivan. This score is unavailable anywhere except in this collection.
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FMS FEATURE...

Conversation Piece: An Unvarnished Chat with Bernard Herrmann
FMS restores recording of never-before-released 1970 interview

Herrmann's "Conversations"
CHAT EXCERPT
Film music preservation is not just about saving music manuscripts and recordings. It's also about saving the artform's history through writings, photographs and, in rare opportunites, the spoken word.

The Film Music Society is pleased to present its newest CD release, Conversation Piece: An Unvarnished Chat With Bernard Herrmann.

On September 26, 1970, Leslie Zador (the son of orchestrator Eugene Zador) and Gregory Rose from classical radio station KFAC interviewed Herrmann in his North Hollywood home on behalf of the Los Angeles Free Press. The interview was transcribed and an article appeared in the Free Press about a month later. Soon after, the sole recording of the interview was stowed away for more than 35 years.

Excerpts of the original transcript were published in the Society's anthology Film Music 1 (1989). The audio tape was recently retrieved and generously donated by Zador to the FMS for historic preservation. Now, with permission from the interviewers and Herrmann's wife Norma Shepherd, this newly restored recording of one of Hollywood's most revered composers will soon be available on CD in its entirety (with the exception of a few imprudent remarks).
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RESTORATION CD SERIES...

The World War II Documentary Music of Dimitri TiomkinThe World War II Documentary Music of Dimitri Tiomkin now available!

Tracks Include:
TUNISIAN VICTORY (1944)
1. 1M1/1M2 2:29
2. 1M3 :51
3. 1M5 2:30
4. 1M8 (outtake) 1:05
5. 3M1 (outtake) 1:02
6. 3M3/3M4 1:34
7. 3M7 (partial outtake) 1:45
8. 8M5 (partial outtake) 2:45

SAN PIETRO (1945)
9. M11 (partial outtake) 2:28
10. M12 1:54
11. M13 (partial outtake) 1:48
12. M14 (outtake) :41
13. M21 (partial outtake) 2:25
14. M22 (partial outtake) 1:41
15. M24 2:08
16. M42 2:11
17. M43 (outtake) 2:04
18. M50 3:39
19. M52 2:43

THE NEGRO SOLDIER (1944)
20. 1M1/1M2 1:32
21. 1M3 (outtake) :28
22. 1M4 (partial outtake) :32
23. 2M1 1:33
24. 2M2/2M2A/2M2AA 1:38
25. 3M7 (outtake) :38
26. 3M10A :28
27. 4M5 1:01
28. 4M6 3:09
29. 5M2 1:35
30. 5M3 1:23

THE BATTLE OF RUSSIA (1943)
31. 1M1 1:28
32. 1M2/1M3 1:19
33. 1M4 1:11
34. 1M6 :34
35. 1M8 :39
36. 2M1 1:52
37. 2M4/2M6 (partial outtake) :53
38. 2M8/2M8A (alt. Version) :38
39. 3M1 2:50
40. 3M3 1:07
41. 4M2 (partial outtake) 2:09
42. 5M1 (outtake) 1:58
43. 5M3 1:43
44. 5M4/5M5 1:25
45. 6M1 (outtake) 1:48
46. 9M1/9M2 1:44
47. 9M3/9AM1/9AM2 3:18

The Film Music Society is pleased to offer previously unreleased recordings of eminent film composer Dimitri Tiomkin's scores from four historically significant World War II documentary features.

The World War II Documentary Music of Dimitri Tiomkin includes nearly 79 minutes of Tiomkin's music from the Army orientation films of producer Frank Capra – The Battle of Russia (1943), Tunisian Victory (1944), The Negro Soldier (1944) and San Pietro (1945) – ranging in style from inspiring military marches to themes that underpin the despair of war, from American gospel and jazz to traditional Russian folk melodies, from the modern beat of the big band to the classical strains of Tschaikovsky and Rachmaninoff.

The recordings in this collection originated from 16-inch acetate transcription discs owned by Tiomkin, which were transferred to 1/4-inch magnetic tape in the mid-1980s by innovative recording engineer Bob Auger. The tapes remained in the possession of Tiomkin's wife Olivia until earlier this year when they were transferred to digital format for restoration and inclusion on this CD.

Accompanying these recordings is a deluxe 16-page booklet containing never-before-seen photographs and authoritative liner notes by Tiomkin expert Warren Sherk.

The Cue Sheet, Vol. 20, No. 4 (Oct. 2005) The World War II Documentary Music of Dimitri Tiomkin is a Limited Edition, with only 1,000 copies manufactured. It is available to the public for $20 plus $2.50 s/h per disc (domestic only – please inquire about international shipping cost). If you would like to order your copy, please contact us or visit the Merchandise page for more information. But hurry! Stock is running low. The FMS quarterly journal, The Cue Sheet, Vol. 20, No. 4 (October 2005), features an extended version of Warren Sherk's informative liner notes for this important restoration. The issue is available for $7.50 plus s/h, or $6 if purchased with the CD.

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FROM FMS RESTORATIONS...

Conversation Piece: An Unvarnished Chat with Bernard Herrmann CD

The World War II Documentary Music of Dimitri Tiomkin CD

Rudyard Kipling's Jungle Book soundtrack CD

SPFM Takemitsu Tribute CD – SOLD OUT

SPFM Goldsmith Tribute CD

Music from CBS Westerns CD


FROM FMS PUBLICATIONS...

FILM MUSIC 1

FILM MUSIC 2

Elmer Bernstein's Film Music Notebook


THE FILM MUSIC SOCIETY NEWSLETTER...

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The periodic newsletter, previously sent by US mail exclusively to FMS members, is now right here on the News & Events page of this website. Each Friday, this online version of the newsletter provides the latest industry information; membership announcements; upcoming events; newsworthy articles; and an occasional series we call Da Capo, offering historical articles related to film and TV music.

Freelance submissions: Newsworthy information and film/TV music-related articles may be submitted for consideration to editor@filmmusicsociety.org. The FMS is under no obligation to publish and/or otherwise utilize submissions or any portions thereof. The FMS is a nonprofit 501(c)(3) charitable organization, supported solely by private donations. No remuneration is available for submissions.



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Past Features
 
04.09.08
Giacchino LACMA Talk to be Broadcast

Composer of Ratatouille, Lost discusses his craft

03.04.08
Leonard Rosenman Dead at 83

Maverick composer wrote innovative, influential film scores

02.29.08
John Williams Conducts American Youth Symphony

43rd Annual Gala welcomes new AYS president David Newman

02.28.08
Michael Giacchino at LACMA

Composer of Ratatouille, Lost discusses his craft

02.27.08
Pacific Serenades 22nd Season

World premiere of Bruce Broughton's Sonata for Violin and Piano

02.25.08
Score, Song Oscars to Marianelli, Hansard and Irglova

Academy reaffirms music as universal language

02.25.08
George Duning at 100

Composer of Picnic, Big Valley remembered on centennial

02.11.08
Shostakovich's 1964 Hamlet Score Live in Concert

John Mauceri conducts the North Carolina Symphony

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